“Gumdrop Green” Field Notes

I started using the Field Museum Field Notes at the beginning of this month, and it reminded me that there are other Field Notes editions that use the same green paper stock, French Paper Pop-Tone in Gumdrop Green. So here they are all together (pictured above, from left):

• Shenandoah “Sweet Birch” (Fall 2015 Quarterly Edition)
• Grass Stain Green (Summer 2009 Quarterly Edition)
• The Field Museum (released late 2017)

There may be other Field Notes that use the same paper, but these are all I have. As you can see, I don’t have the original, plain white belly band of Grass Stain Green (I only have a single), but don’t they look lovely all together? I think that these light brown belly bands  look especially great with the matte green covers.

Obviously, GSG stands out because it’s the only one that’s letterpressed (“blind hit” to be more specific). It’s one of the most beautiful Field Notes and certainly one of my top favorite editions, but so is Shenandoah, with its custom-duplex cover and brown ink that work together to complete the forest theme. The Field Museum edition may seem plain by comparison, but it’s still special to me because of all the memories I have of going on field trips to the museum when I was younger.

Back inside covers (from top): Grass Stain Green printed with “Green Mind” ink, Shenandoah “Sweet Birch” with “Shenandoah Salamander” brown ink, The Field Museum with “Lake Michigan Blue” ink.

All three editions use “Gumdrop Green” in 100#C for the cover, but Shenandoah feels the thickest because it is duplex-mounted to another sheet of paper, French Paper Pop-Tone in “Lemon Drop”, making it the only one whose cover looks different when you open it.

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From top: Shenandoah “Sweet Birch”, Grass Stain Green, The Field Museum

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From left: Grass Stain Green, Shenandoah “Sweet Birch”, The Field Museum

As for the body paper, they all use “white” paper, except GSG uses Boise Offset Smooth 50#T, which is what Field Notes used in the early days. Since Balsam Fir, they have been mostly using Finch Paper Opaque Smooth, which is what you’d find in Shenandoah and The Field Museum edition, both slightly thicker in 60#T. Both GSG and Shenandoah are graph grid (3/16"), printed in “Photosynthesizing Chlorophyll” light green and “Appalachian Moss” light green, respectively, while The Field Museum is ruled (1/4" or 6.4 mm) in “Double Knee Duck Canvas” light brown ink, the same color you’d find in Field Notes’ standard Kraft memo books. Fun (to me) side note: the inside cover of GSG specifies 4.5 mm for the grid size, but the conversion should’ve been 4.7 mm. I believe this doesn’t get corrected until National Crop (Spring 2012).

From top: Grass Stain Green, Shenandoah, and The Field Museum. Innards in Grass Stain Green are 50#T, making it the thinnest memo book in this group. Shenandoah feels the thickest with its custom-duplexed cover.

I like that these all have different sets of “Practical Applications”. The ones in GSG are not unique; they’re the same as the ones in the regular kraft books. But the other two have their own custom sets. Interestingly, there are only 15 applications in the Field Museum edition, and I admit I don’t recognize all the references. Maybe it’s time for me to revisit the museum. 😊

All have silver staples!

Back view, from left: Shenandoah “Birch”, Grass Stain Green, The Field Museum.

I’ve always been a fan of Field Notes memo books with French Paper Pop-Tone covers, so I was stoked when the Field Museum edition came out, even though “Gumdrop Green” has been used before (and despite the hefty price tag). It might not be exciting anymore to some fans, but I really like this green, and as a casual Field Notes collector, it’s fun to compare and see how the same paper is interpreted in different ways. Which do you like the best? I really like all three, but if I were offered extras of any of these (one can dream), I’d choose Grass Stain Green. 💚

Green color comparison

Related Links and Notes

• Field Notes Color Comparison: Green
• My previous post on Grass Stain Green
• My previous post on Shenandoah
• There’s a second set of The Field Museum Field Notes, with Earth as the theme! It is available online, here.
• The first version (the green 3-pack featured in this post) is now on sale, here.
• The Field Museum (Chicago, IL)

Field Notes Colors: Shenandoah

Ah, Shenandoah. As soon as I saw the official images for this 2015 Fall edition of Field Notes Colors, I knew I would love it. I thought, now there’s a classic-looking Field Notes edition that I’ve been waiting for. And I was not disappointed when I finally saw it in person. I couldn’t wait to use it right away.

Inside covers (from top): Sweet Birch, Chestnut Oak, and Red Maple

Before Shenandoah was announced in mid-September, subscribers were teased with an image of hazy ridgelines in the distance, and it turned out to be part of the scenery at Shenandoah National Park. As the name suggests, the Shenandoah edition takes inspiration from this park, particularly its trees and their fall foliage. When you open the green covers, you’ll find different colors on the inside covers; they represent the leaves when they turn colors in the fall. I love that we finally get a Colors edition with an obvious seasonal theme. It’s been a while: I would argue, as someone who's used to four seasons, that the last truly seasonal edition was Cold Horizon from Winter 2013.

I love almost everything about Shenandoah (see how it ranks in my Field Notes ranking). I love the inspiration behind it, the simple execution of the theme, and, my favorite: matte French Paper covers. The weather doesn’t yet feel like fall where I am, but I could probably wax poetic about this edition until cows come home. I will try not to though!

Small illustrations of leaves on the back covers. They are a departure from the more graphic style previously found in editions like National Crop, Drink Local, Arts & Sciences, and Workshop Companion. I like this change.

To me, Shenandoah is a new classic with a twist. It’s very reminiscent of the old Colors editions, with its minimal design and familiar colors. Even Field Notes compare it to Mackinaw Autumn and Just Below Zero, which are some of the earliest Colors editions, both with pretty strong seasonal flavors. But Shenandoah has enough variations and details to keep it from being boring. The covers are made with French Paper stocks in colors we’ve seen before, but they are reinterpreted in a new context. The custom-duplexing in contrasting colors achieves the seasonal theme, and adds an element of surprise when you open the memo books. Also note that the body paper is thicker than the usual 50#T. On the back cover of each book, there’s a small, elegant illustration of a leaf and a description of the tree, all in a simple layout with plenty of space to breathe. Other autumn-like details that make Shenandoah special and interesting: text printed in brown ink, slightly green graph grid, and the birch veneer belly band. 

Silver staples and birch veneer belly band. I wonder how brass staples would look here... :)

I’m glad Field Notes didn’t go overboard with the concept and kept it understated. I very much prefer the quiet simplicity of the old Colors editions and the nostalgia they bring, so Shenandoah has been a welcome change for me, especially from the last Colors edition (Workshop Companion). It’s been in constant use ever since I got it in the mail, and I plan on using it in other seasons, too. 

Firsts

The key characteristic of Shenandoah, the duplex covers, is not new in Colors. We first saw them in Raven’s Wing (Fall 2010) and then in American Tradesman (Summer 2011); both editions use pre-made duplex papers from Neenah. Shenandoah is different in that it is the first time Field Notes used custom-duplexed covers, made with stocks from French Paper to match the colors they had in mind for the Shenandoah trees. (Duplexing is when you take two different colored papers and fuse them together to make one sheet). I’ve been wanting Field Notes to use Neenah duplex papers again but I did not expect them to make their own. French or Neenah, I’ll take what I can. Like Field Notes said, they could have just taken a white cover stock and printed a different ink on each side but I find that end result not as rich as fusing two already-colored papers together. My Shenandoah covers are starting to crease beautifully, without any white showing through; this is why like it when Field Notes uses French papers (or Neenah papers).

Quick “green” graph grid comparison (from left): Capsule AW14, Grass Stain Green, Balsam Fir, Shenandoah

The next noteworthy “first” in Shenandoah is its body paper in 60#T. It’s still the often-used Finch Paper Opaque Smooth in “Bright White”, but it’s slightly thicker than the usual 50#T. Not as thick as the innards we’ve seen previously in Traveling Salesman or Shelterwood. Those are 70#T. I did a quick test of the paper with my fountain pens and found the 60#T to be not any significantly better than the 50#T. Very similar, in fact. Perhaps fountain pen users with a wider range of nibs and inks would have a different opinion. But I use gel pens and pencils with my Field Notes, so these sturdier innards work well for me and are a nice bonus. Only time will tell if this 60#T will be an exception or a standard, but I do hope to see it again. It adds a nice heft to the memo book without making it too bulky.

In woods-y company (from left): Starbucks Reserve Roastery 2014, Shenandoah, Cherry Graph, Shelterwood

Another “first” worth mentioning: it’s the first time we see birch veneer used in Colors, in the form of Shenandoah’s belly band. Shelterwood (Spring 2014), and its non-Colors cousin, Cherry Graph, are made with Cherry wood and are darker in color. We do see birch in the first Starbucks Reserve Roastery Edition from 2014, but that is not part of the Colors series.

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Lastly, inside the Shenandoah edition was a small “HELLO” note tucked between the books. The note is in the shape of a Field Notes memo book and it opens up to a message from FN, urging you to get on their mailing list, and a sincere pronoucement of thanks, numbered FN-25. How cute! This seems like one of FN’s new promotional items, and Shenandoah is the first in Colors to be packaged with it. More details in Bold Futura, I love it.

Some writing utensils I like to pair with Shenandoah: Pilot Juice gel pen in Coffee Brown, Tombow 8900 pencil, and Tombow LG-KEA pencil with recycled wood.

One-inch buttons for subscribers: Leaf Identification Badges. Backrim texts include item numbers. Can’t tell from this picture but some of my buttons were assembled crookedly, making the white  texts appear on the front of the button. Still, they are very cute and look almost... edible. Like chocolates. Mmm.

Some fun (for me) details:

• Shenandoah is the 2015 Fall edition of COLORS, the 28th in the series.
• Item Number: FNC-28
• Edition size: 40,000 packs printed in September 2015. FN offered 1,000 new subscriptions starting with this edition.
• Covers: French Paper Co. 100#C in greens, duplex-mounted to inner colors in 70#T,  by Platinum Converting (Itasca, IL). Both sides of each cover is printed with “Shenandoah Salamander” brown soy-based Saphira ink:
  • Sweet Birch: Pop-Tone “Gumdrop Green” with Pop-Tone “Lemon Drop” inside
  • Chestnut Oak: Pop-Tone “Jellybean Green” with Construction “Safety Orange” inside
  • Red Maple: Construction “Factory Green” with Construction “Electric Red” inside
• Body paper: Finch Paper Opaque Smooth 60#T in “Bright White”
• Graph grid inside: “Appalachian Moss” light green soy-based Saphira ink
• Belly band: birch veneer with text printed in matching brown ink
• Subscription-only extras: 1" buttons with leaf illustrations
  • FNC-28a: Sweet Birch Identification Badge
  • FNC-28b: Chestnut Oak Identification Badge
  • FNC-28c: Red Maple Identification Badge
• Extras: “Hello” note with No. FN-25 “Sincere Pronouncement,” packaged in between the memo books
• Staples color: silver
• Film: Field Notes 'Shenandoah' Edition on Vimeo, with excerpts from Thomas Jefferson’s “Notes on the State of Virginia.”
• Bonus clip: Shenandoah - Fast Drive on Vimeo. Read about the FN crew's field trip to Shenandoah National Park in Virginia here: Park Life

My Favorite “Practical Applications”

• 10. Gorp Recipes
• 12. Backpacking Packs to Pack
• 16. Deciduous Decisions
• 17. John Denver Lyrics

Interestingly, the newsletter from Field Notes announcing the Shenandoah edition has a different list of autumn projects, including:

• Life-List of Pies Eaten
• Fall Tree Identification App Sketches

Quick color comparison (from top left): National Crop “Wheat”, Original kraft, Shenandoah “Red Maple”, National Crop box, Balsam Fir, Ambition, Day Game “Outfield Green”, Shenandoah “Chestnut Oak”, Grass Stain Green, Shenandoah “Sweet Birch”, National Crop “Soybeans”, Unexposed, Neon Summer Camp, Starbucks Reserve Roastery 2015, DDC “Sorta Jade”

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Familiar colors (from left): “Gumdrop Green” in Grass Stain Green and “Sweet Birch”, “Jellybean Green” in Day Game “Outfield Green” and “Chestnut Oak”, “Factory Green” in “Red Maple” and National Crop box

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Familiar colors (from left): “Lemon Drop” in “Sweet Birch” and National Crop “Corn”, “Safety Orange” in “Chestnut Oak” and National Crop “Wheat”, “Electric Red” in “Red Maple” and Red-Blooded (or is it Fire Spotter?)

What are your thoughts on Shenandoah? Have you been to Shenandoah National Park? Did you recognize the old colors from Grass Stain Green and Day Game? National Crop and Fire Spotter? I wonder if Shenandoah is Field Notes’ way of giving newer fans a taste of their old editions, without reprinting them. I know using “Sweet Birch” is as close to using Grass Stain Green as I’ll ever get. Or maybe they just really like working with French Paper and will continue reusing their colors in different ways. Whatever the case, I think they managed to create a beautiful classic without repeating themselves.

I would like to end with a link to my fellow Field Notes fan, Mike Bates, and his excellent review of Shenandoah. Read his take on it while sipping a cup of coffee or tea, and enjoy all the autumn vibe in his beautiful photography!